Crítica de la violencia
Benjamin, Walter
2010
Madrid, Biblioteca Nueva. 121 p.
Resumen: Hacer una crítica de la violencia hoy en día puede resultar sumamente importante, ya que la violencia se ha convertido en algo cotidiano, en una manera de manifestar la decadencia de nuestras sociedades, de nuestra cultura, de nuestras vidas. Hoy el tema de la violencia es el más relevante: violencia en la casa, en las escuelas, en la calle, etc. Revisando el texto de Benjamin, en Crítica de la violencia podemos entender hasta dónde puede llegar la legitimidad de la violencia en nuestra sociedad.
Tabla de contenidos
Número de pedido en Biblioteca FAU
Mostrando entradas con la etiqueta aspectos sociales. Mostrar todas las entradas
Mostrando entradas con la etiqueta aspectos sociales. Mostrar todas las entradas
martes, 31 de octubre de 2017
jueves, 4 de mayo de 2017
Social status and cultural consumption
Social status and cultural consumption
Chan, Tak Wing
2012
Cambridge, Cambridge University. 273 p.
Resumen: How does cultural hierarchy relate to social hierarchy? Do the more advantaged consume 'high' culture, while the less advantaged consume popular culture? Or has cultural consumption in contemporary societies become individualised to such a degree that there is no longer any social basis for cultural consumption? Leading scholars from the UK, the USA, Chile, France, Hungary and the Netherlands systematically examine the social stratification of arts and culture. They evaluate the 'class-culture homology argument' of Pierre Bourdieu and Herbert Gans; the 'individualisation arguments' of Anthony Giddens, Ulrich Beck and Zygmunt Bauman; and the 'omnivore-univore argument' of Richard Peterson. They also demonstrate that, consistent with Max Weber's class-status distinction, cultural consumption, as a key element of lifestyle, is stratified primarily on the basis of social status rather than by social class.
Tabla de contenidos
Número de pedido en Biblioteca FAU
Chan, Tak Wing
2012
Cambridge, Cambridge University. 273 p.
Resumen: How does cultural hierarchy relate to social hierarchy? Do the more advantaged consume 'high' culture, while the less advantaged consume popular culture? Or has cultural consumption in contemporary societies become individualised to such a degree that there is no longer any social basis for cultural consumption? Leading scholars from the UK, the USA, Chile, France, Hungary and the Netherlands systematically examine the social stratification of arts and culture. They evaluate the 'class-culture homology argument' of Pierre Bourdieu and Herbert Gans; the 'individualisation arguments' of Anthony Giddens, Ulrich Beck and Zygmunt Bauman; and the 'omnivore-univore argument' of Richard Peterson. They also demonstrate that, consistent with Max Weber's class-status distinction, cultural consumption, as a key element of lifestyle, is stratified primarily on the basis of social status rather than by social class.
Tabla de contenidos
Número de pedido en Biblioteca FAU
Suscribirse a:
Entradas (Atom)